Friday 14 May 2010

the shyest teacher in the west

I’m fairly shy in real life [how ironic is it that just as I finished writing that sentence I flew out of the coffee shop, tipping my table (and coffee) over, and ran through a busy shopping mall screaming “Seán” repeatedly at the top of my voice?] Okay, well, apart from the obvious exceptions that prove the rule I am quite the introvert.

As a teacher it doesn’t pay to be too retiring however, and I manage to fight my shyness quite effectively in the class room. In many ways I am a completely different person standing in front of thirty teenagers than I am in real life. This, of course, means that my pupils often find it odd that I struggle to maintain eye contact let alone conversation once they leave school.

A few minutes ago Helena, a pupil of mine from a few years back, saw me in the distance and came running (literally) to take me for a coffee as I seemed “to have fallen off the edge of the universe” since I stopped teaching her class.
Off the edge of the universe - well, I suppose that’s one way to describe where I’m teaching now.

Helena was, in many ways, such a stereotypical emo when I taught her. She had massive parent issues on a daily basis, had become completely disillusioned with a society she wanted to reject before it rejected her, and somehow managed to turn a rather generic, bland, school uniform into a theatrical dark gothic creation. Even outside of school she was never to be seen in anything that wasn’t black.
But it wasn’t just an image thing for her; she really saw the world in various shades of purple and black.

She loved art and would always come to my class to show me what she was drawing. She was always (rightfully) proud of whatever it was and after thirty seconds of false modesty she would beam as I told her how good I thought they were. They were always dark and haunting and always absolutely beautiful. Intensely mystical worlds filled with so much detail and emotion. Epic fantasies showing an imagination I could only - well - imagine. It frustrated me, as an english teacher, that she was unable to express these worlds in words and paragraphs but I loved the fact that she shared them with me projected onto paper - and I thought they were amazing. She would explain all the various elements in that breathless excited way she always spoke - as if she had just seen something amazing and had to tell someone about it.

Every morning in form class she would plop herself in front of me, flip open her sketch pad, grin broadly and say, “Well? What d’ya think?”

And here she was, talking non stop in that excited, breathless, stream about the old times. Reminding me of the characters in our class; bringing up embarrassing incidents I had long eradicated from my memory; asking - no, interrogating - me about why I hadn’t made more effort to become a permanent fixture in that school. She was no longer the girl dressed in long black coats and platform boots with attachments, wearing far too much eye makeup. She was now a young adult; still with a rather distinctive style; but not a hint of black. In her eagerness to ask questions about what I was doing with my life now, she was forgetting to wait for answers and seemed completely oblivious to my lack of conversation. A couple of times I tried to join in - but my social ineptitude kicked in and I was reduced to smiles and nods as she told me all about art college and how she was experimenting with photography now. She told me that I’d always been her favourite teacher, qualifying it by saying that I was the only one not up their own ass. I, she informed me, cared. She said that as a teacher I tried to encourage her, not change her.

But I wasn’t her teacher any more. The different circumstances threw me somewhat. I no longer had to establish authority in the situation. I didn’t have to control the environment around me; didn’t need to fill any vacuum with constructive learning. I didn’t have to present myself as a figure deserving of pedagogical respect... and so I was completely unsure of what type of figure to present -- That is until she pulled out her sketch pad, flipped it open, grinning, and said, “Well? What d’ya think?”

2 comments:

David Williamson said...

Sam, you should have showed her your dance moves and said, "Well, what d'ya think?" - or at least some footage shot on Slemish in the snow. Look forward to finishing the film, big man. For every Helena I'm sure there are 20 more who also remember your steadfast generosity of spirit. I know I do.

kylie said...

now, mr c, THAT is just a wonderful story. congratulations